有一些尷尬和囉嗦的場景整體的確不如第一季但也有一些拍得特別出彩的場景:I miss me, too;度假屋的炫技全景;兩個人看畫討論藝術和藝術家的得失;季終All Alone棟篤笑與舞台下生活的交替剪輯這部劇最強的優點沒丟失還是從生活到段子的互相映襯進而討論創作和表演的本質至於女性角度的確反而不是這部劇的優點它在這個角度略從眾但誰知道呢下季可以再看看
龙光彪:61.234.82.159
Baker一贯的独立片主题低层与边缘的人群生活中南部的德州与中年过气的av男优的化学反应篇幅有些长只剩下玩世不恭宝宝一直要喝水并没有刺破到底boys will be boys
马背上的水手:36.57.221.250
Body horror is the metaphor for visual pleasure. A critical reflection on where our species are heading if giving no limit to our exploitation of pleasure. However the film itself didn’t escape the fate of being part of the process, and me as the audience who already sat down, had no option of rejecting my role as the consumer of such content.