In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
鳧尘:61.237.217.105
现实主义作品少女的成长故事 无与伦比的动画我愿意为其献上一切溢美之词 完全真实的人物塑造和美到令人窒息的场景设计和作画;在纯日常的背景下采取(宏观上)匀速的时间推进同时实现了几近完美的节奏把控在线观看的韩国电影让人有一口气看完的欲望简直匪夷所思 在我目前看过的TV动画中只有EVA和浪客剑心可以与之相比而纯日常作品则无可望其项背;即便是我一直认为的日常神作夏目与之相比也差了一截 PS. 昨晚在知乎刷到一个“如果预算无限想做一个什么动画”的问题可有些事终究是用钱解决不了的……如果世上有魔法真希望高畑君和近藤喜文能回来和宫崎做个六集或十二集或二十五集的小片随他们高兴吧……