极其庸劣的电影不仅看不出一丝才华老爸快跑电视剧甚至看不到一个亮点还到处露怯在技法之外排除直白的说教后我看不出有什么理由不能把这片搬到二战来波反反法西斯所以他们的父辈们怎么就在save the world了他们怎么就不是在save the world了靠观众自己读历史书吗读过书了为何要看这么肤浅的电影特么居然能7.8
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Windom Earle as the embodied evil. BOB as the metaphysical evil. Dealing with the former makes for an embarrassing melodrama. Lynch knows the discussion of good/evil is meaningful only on a surreal level. And that's why Earle is so instantly dismissed as trivial in Lynch's Red Room. A kind of authorial revenge for the derailed episodes.