ballroom culture在上世纪八九十年代成为以lgbt+群体为代表的亚文化进入主流视线drag queen、voguing等系列“文化产物”对fashion industry、classes、race relations产生巨大影响颠覆传统性别二元认知地下舞池的边缘文化掀起了前所未有的文化革命当然尚处于小众发展时期的群体不可避免地经历“结构性自相冲突”过程--即“being female”or“owning feminine characteristics”的区别如labeija所言“having virgina doesn't means good life, it might be even worse”(后期关于导演褒贬不一的评述以及影片视角的争议似乎更为奇观化)
电影伊森:182.81.133.125
想象不到的桥段一个接一个当今社会热点问题利用他人日记把妹躲藏记忆羞耻里的意识知道真相的暗恋者对彼此的抱怨即使老套的消除记忆再次钟情也被用的恰到好处I’ll get bored of you and feel trapped, because that’s what happens with me. OK. 这个OK的语气和表情拿捏的好到我竟然冒出了眼泪
“We have had everything taken away from us, and yet we have all learned how to survive. That is why, in the ballroom circuit, it is so obvious that if you have captured the great white way of living, or looking, or dressing, or speaking - you is a marvel.”